"So much the better, if it's the kind of one you desire." That was the most she could say, and having made it sound as dry as possible she lapsed into a silence so pointed as to deprive him of all pretext for not leaving her. Still, nevertheless, he stood there, playing with his hat and filling the long pause with a strained and anxious smile. He wished to obey her thoroughly, to appear not to presume on any advantage he had won from her; but there was clearly something he longed for beside. While he showed this by hanging on she thought of two other things. One of these was that his countenance, after all, failed to bear out his description of his bliss. As for the other, it had no sooner come into her head than she found it seated, in spite of her resolution, on her lips. It took the form of an inconsequent question. "When did you say Mrs. Brigstock was to have gone back?" Fleda was mystified. "People surely knew at Poynton," she objected, "if, as you say, she's there."!

"They're married." "You've diverged uncommonly far!"—Owen laughed back. Fleda, with her hideous crockery and her father's collections, could conceive that these objects, to her visitor's perception even more strongly than to her own, measured the length of the swing from Poynton and Ricks; she was aware too that her high standards figured vividly enough even to Owen's simplicity to make him reflect that West Kensington was a tremendous fall. If she had fallen it was because she had acted for him. She was all the more content he should thus see she had acted, as the cost of it, in his eyes, was none of her own showing. "What seems to have happened," he exclaimed, "is that you've had a row with her and yet not moved her!"

"They've looked very beautiful, and they've been very beautiful. Oh, I've told her the sort you are!" the young man pursued. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "You've come down to it, miss, already?"